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Autobiografisch relaas van een joodse jongen (1929) die tijdens de Holocaust verschillende concentratiekampen overleefde en zijn herinneringen vastlegde in geschrift en tekeningen.

741.07 --- Thema's in de kunst ; oorlog ; herinnering aan de holocaust --- Geve, Thomas °1929 (°Züllchow, Polen) --- Tekenkunst ; tekenkunstenaars A - Z --- History of Germany and Austria --- anno 1940-1949

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Horn, Rebecca °1944 (°Michelstadt, Duitsland) --- Installaties ; in-situ ; Weimar ; 1999 ; Rebecca Horn --- Kunst ; van vrouwen ; 20ste en 21ste eeuw --- Thema's in de kunst ; oorlog ; herinnering aan de holocaust --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Iconography --- Art --- installations [visual works] --- concentration camps --- Horn, Rebecca --- Buchenwald --- Ettersburg --- Weimar --- holocaust

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Ceija Stojka (1933-2013), a member of the Lovara community (from the Hungarian Lo = horse, horse traders), a Roma group that settled in Austria, was deported to Auschwitz with a large portion of her family at ten years old. Her father had previously been gassed in the 'euthanasia' facility at Hartheim. Ceija Stojka survived not only the extermination camp at Auschwitz, but also the concentration camps at Ravensbrück and Bergen Belsen, from which she was freed by the British army on 15 April 1945. Together with her brother Karl Stojka, she was the first to break the victims' silence in Austria in the 1980s, and continued to discuss her treatment as a Roma openly from then on. At the end of the 1980s she began teaching herself to draw and paint. The cycle of ink drawings and gouaches 'Even death is afraid of Auschwitz' developed over several years and comprises approximately 250 pages. It offers an impressive artistic narrative of the persecution and genocide of the Roma and Sinti under the Nazis and is being published as completely as possible in this book. The texts by Barbara Danckwortt and Tímea Junghaus explore the artist's traumatic experiences in a concentration camp, and how she used art to work through them. Director Karin Berger describes the close cooperation with Ceija Stojka when making her documentary films. The two editors, Lith Bahlmann und Matthias Reichelt, provide an introduction to the topic and set out the context of the artistic work. An integral part of the book is a DVD featuring the two film portraits of Ceija Stojka by Karin Berger. 0Exhibition: Kunstverein Tiergarten Berlin, Germany (20.06.-26.07.2014) / Schwartzsche Villa, Berlin, Germany (02.07.-31.08.2014).

Drawing, Austrian --- Painting, Austrian --- Holocaust, Jewish (1939-1945), in art --- 7.07 --- 741.07 --- 75.07 --- Stojka, Ceija 1933-2013 (°Kraubath an der Mur, Oostenrijk) --- Thema's in de kunst ; oorlog ; herinnering aan de holocaust --- Austrian drawing --- Austrian painting --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Tekenkunst ; tekenkunstenaars A - Z --- Schilderkunst ; schilders --- Stojka, Ceija --- Auschwitz (Concentration camp) --- KL Auschwitz --- Oświęcim (Concentration camp) --- Konzentrationslager Auschwitz --- Oshṿits (Concentration camp) --- Aušvic (Concentration camp) --- KZ Auschwitz --- Auschwitz I (Concentration camp) --- Concentration camp "Auschwitz" --- CC Auschwitz --- אוישוויץ --- אושוויץ --- אושוויץ (מחנה-ריכוז) --- מחנה אושווינצ׳ים --- Osvent︠s︡im (Concentration camp) --- Aushvit︠s︡ (Concentration camp) --- In art. --- Exhibitions --- Drawing --- Painting --- holocaust --- Освенцим (Concentration camp) --- Aousvits (Concentration camp) --- Аушвіц (Concentration camp)